In this section...
Hampshire Guitar Orchestra » Guitar stuff » hints & tips » tone production » tone and terminology
A string vibrates at a rate we call its frequency. For example, the open A string vibrates 110 times a second - 110Hz.
But in addition to this fundamental, the vibration contains a mix of the individual harmonics or overtones that we can find over the 12th, 7th, 5th (and more) frets. For a string vibrating at 100Hz, the harmonics are 200, 300, 400... Hz.
Because of the logarithmic way that frequencies work, the harmonic sequence is a set of consonant tones, each higher than the previous by an octave, then a fifth, a fourth, a third... becoming ever closer, like the notes on a bugle.
We can't hear the harmonics, but their total blend is what makes a guitar
Another way to change the harmonic content is to change how the string is plucked - more later!
Here's a graphical representation (exaggerated for clarity) showing the fundamental & overtones for both a mellow and metallic sound.
The graphs show volume (upwards) against pitch (to the right)
![]() |
![]() |
| Metallic sound | Mellow sound |
Unlike orchestral instruments, a guitar is not a sustaining instrument - every note dies away. The higher harmonics tend to die away faster, but it's a well-known phenomenon that it's the start of a note - the "transient" - that defines the character of the note. A note with high harmonic content can seem more "punchy" - a stronger start and (apparently) a faster decay, as the harmonics die away. A rounded sound has a less imposing start but can seem more sustained, as it does not evolve much as it decays.
So far, we've seen that...
Let's see how an understanding of the harmonic content of every note that we play can impact on our overall sound. Next page...